Granite whispers tales of national identity right here. “Og Dagen runder, Med sine tusinde Krav” stands as a testament to Danish artistry. This sculpture embodies something deeply rooted in the nation’s spirit. The artist behind this evocative piece is Anders Bundgaard. He is also the creator of the Gefion Fountain.
Bundgaard’s journey began humbly. He worked various odd jobs in Copenhagen. Then his talent was discovered by architect Emil Blichfeldt. This led him to Teknisk Skole in 1884. A year later he joined the Academy. There he studied under Th. Stein and C. Peters. Stephan Sinding introduced him to French naturalistic sculpture. This shaped his style adding drama to his classical form. His father was a storyteller.
Bundgaard found inspiration in Paris. He admired Dalou, Falguière, and Rodin. Egyptian art also influenced him. He favored granite which suited its grand forms.
His work on Copenhagen’s new city hall was significant. He collaborated with architect Martin Nyrop. Their shared ambition for a national style was fruitful. The motifs and granite echoed Danish medieval churches.
Bundgaard continued this style at Christiansborg. He created the Kongeportalen and Rigsdagsportalen. The Rigsdagsportalen’s atlanter became known as “mavepinefigurerne.”
His breakthrough came with the Gefion Fountain. It tells the tale of Gefion plowing Zealand from Sweden. His style remained popular. His works were easily understood. “Og Dagen runder, Med sine tusinde Krav” shares this accessible style.
Bundgaard’s ability to blend anecdote with monumentality made him ideal. He created national monuments like the Nordic volunteer monument. Other works include the Genforeningsmonumentet. He also designed the Mindehøjen.
His sculptures possess a distinctly Danish character. They reflect a Nordic past. He saw mythology as a national strength. His work echoes the ideas of Grundtvig. Bundgaard valued craftsmanship. He believed content was as crucial as form.
Today you can find the original plaster models in Tingbæk. It is a mine near Rebild. Bundgaard bought it. The family owned it until 1960. “Og Dagen runder, Med sine tusinde Krav” shows Bundgaard’s enduring legacy. It reflects his unique blend of storytelling and national pride. It is a perfect example of Danish sculpture.