In the heart of Jakarta, a whisper of history resides within Musholla As-Salafiyah. This isn’t just a place of worship. It’s a testament to resilience, a beacon of faith against the tides of colonialism. Musholla As-Salafiyah stands as a quiet echo of Pangeran Jayakarta’s defiance. He was the last ruler of Jayakarta before the Dutch VOC, led by Jan Pieterszoon Coen, seized control in 1619. Following the devastating loss of his city, including his palace and the grand Sultanate Mosque, Pangeran Jayakarta retreated eastward. He sought refuge, not surrender. He found solace in the dense forests of what is now Jatinegara Kaum. There, in 1620, he established Musholla As-Salafiyah. It became more than a mosque. It served as a strategic hub, a place to gather strength and plan resistance against the Dutch. The very ground Musholla As-Salafiyah stands on vibrates with the spirit of Pangeran Jayakarta. He, along with his son, Pangeran Lahut, his grandson Pangeran Sageri, Sageri’s wife Ratu Rafiah, and Pangeran Suria, rest in the adjacent cemetery. Their presence is a constant reminder of the mosque’s crucial role in Jakarta’s history. The name “As-Salafiyah,” meaning “followers of the righteous predecessors,” given in 1961 by Jakarta’s governor, further underscores this connection to the past. Although Musholla As-Salafiyah has undergone several renovations, its core remains untouched. The four original jati wood pillars, known as “Saka Guru,” still stand tall, supporting the mosque’s structure. These pillars symbolize strength, resilience, and the enduring spirit of Pangeran Jayakarta. Musholla As-Salafiyah continues to serve its community. It is a place for prayer, reflection, and community gatherings. Its story is woven into the fabric of Jakarta, a reminder of the struggles and triumphs that shaped the city we see today. The quiet dignity of Musholla As-Salafiyah whispers a powerful tale of faith and resistance, echoing through the centuries.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to