Overlooking the vibrant landscape of Rio de Janeiro, Morro da Olaria stands as a testament to the city’s rich history. Morro da Olaria wasn’t always known by this name. In the early 19th century, Francisco José Pereira Rego purchased land in this area, between the Caminho da Matriz and Morro da Penha. The land, originally part of the Engenho da Pedra, held a secret: rich, red clay. Rego, seeing the potential, established several brick factories, or “olarias” in Portuguese. This marked the beginning of Morro da Olaria’s transformation. The area quickly became known as the “Região das Olarias,” a hub for brickmaking and ceramics. By the late 1800s, other manufacturers joined the scene. The train station, inaugurated in 1886, solidified the name “Olaria.” Another key figure in Morro da Olaria’s development was Custódio Nunes. In 1892, he secured permission to operate a slaughterhouse on rented land from Fazendinha da Penha. This expanded into the “Invernada de Olaria,” a grazing field for cattle between the future IAPI da Penha complex and Rua Bariri, stretching from the train line to Guanabara Bay. This area wasn’t fully developed until the 1960s, after the slaughterhouse closed. Morro da Olaria even played a role in Rio’s cinematic history. The neighborhood once boasted numerous cinemas like Cinema Santa Helena, Cinema Rosário, Cinema Oriente, and Cinema São Geraldo. Today, the area continues to evolve. The Regional Forum of Leopoldina opened its new building on Filomena Nunes Street in 2011, near the Olaria Atlético Clube stadium. From clay pits to bustling community, Morro da Olaria’s story reflects the dynamic spirit of Rio de Janeiro.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to