Beneath the sprawling branches of the Chêne des Missions, a peculiar sight awaits. The Mégalithés des missionnaires de Meudon stand as a testament to a unique blend of nostalgia and faith. These stones whisper tales of Breton missionaries, longing for their homeland. In 1895, these missionaries, stationed at the seminary in Bièvres, sought to recreate a piece of their heritage. They chose a spot beneath a grand oak, already a prominent feature in the forest. They gathered stones, extracted from nearby quarries, and arranged them in a configuration reminiscent of ancient megalithic sites. The Mégalithés des missionnaires de Meudon consist of a menhir, brought from the Bois de Vélizy, and four artificial trilithons. These trilithons, crafted from local millstones, are positioned in a striking arc around the oak. The missionaries’ creation wasn’t a true megalithic site, but rather a symbolic representation of the ancient cults. It was a fusion of their Breton roots and their religious devotion. This fusion is evident in the later addition of a statue of the Virgin Mary to the oak tree. This transformed the site into a place known as the Chêne de Notre-Dame-des-Missions. While the statue has since vanished, the name Chêne des Missions persists. The Mégalithés des missionnaires de Meudon stand as a unique landmark within the forest. It is a place where the echoes of Breton traditions mingle with the whispers of religious fervor. They offer a glimpse into the hearts of those missionaries, who sought to create a haven of remembrance beneath the watchful gaze of a majestic oak.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to