Amidst the bustling campus life of Universitas Esa Unggul sits Masjid Baitul Gafur. It’s a beacon of serenity, a place where the echoes of the Adhan call students and faculty to prayer. Masjid Baitul Gafur stands as a testament to the spiritual needs of the university community. On Fridays, the mosque truly comes alive. Thousands of shoes line the courtyard, a mosaic of brands and styles. The gentle murmur of flowing water accompanies worshippers performing their ablutions. Two prayer halls, one upstairs and one down, overflow with those seeking spiritual solace. The mosque’s origins are humble. In 1996, a small prayer room was established in Building A to meet the growing need for a dedicated worship space. By 2000, this space proved insufficient. The prayer area was then moved to the Kemala Auditorium, where it remained until 2005. The auditorium, however, also served other functions. This made it less than ideal for prayer. Students and faculty then sought funding to build a dedicated mosque. Construction of Masjid Baitul Gafur began in 2005. Initially planned near the toll road, the location was shifted behind the campus due to unsuitable soil conditions. The mosque’s design, overseen by Ir. Holiq Raus, was initially inspired by the Taj Mahal. Land constraints, however, led to modifications, including the omission of a planned minaret. The mosque’s name, Baitul Gafur, honors the founder of both the mosque and Universitas Esa Unggul, Dr. Abdul Gafur. Masjid Baitul Gafur serves not just as a place of worship, but as a hub for social interaction. It hosts a range of activities, from charity events and mass circumcisions to fiqh studies. It aspires to be a center for spiritual growth, nurturing both faith and intellect. It is a place where students can deepen their understanding of Islam and contribute to the community. Masjid Baitul Gafur is more than a building. It’s a living testament to the enduring power of faith within the vibrant heart of a university campus.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to