“A mosque older than Indonesia itself?” a child’s voice chirped, tugging at his father’s hand. “Is that even possible?” This question, innocent yet profound, perfectly captures the aura of Masjid Jami Bidayatul Hazanah, also known as Angke Mosque. Located in the vibrant heart of Jakarta, this mosque isn’t just a place of worship; it’s a living testament to the city’s rich, multicultural past, a past that predates the very idea of Indonesia as a nation. Masjid Jami Bidayatul Hazanah stands as a silent observer, having witnessed the ebb and flow of history since its inception in 1761. It’s remarkable to think that this structure, with its tiered roof and blend of architectural styles, existed before Indonesia’s independence, even before the name “Indonesia” was conceived. The mosque’s story is intricately woven into the fabric of Jakarta, reflecting the diverse influences that shaped the city. It’s a story of Chinese benefactors, Nyonya Tan and Syaikh Liong Tan, who embraced Islam and left an enduring mark on the city’s spiritual landscape. Their contribution speaks volumes about the fluidity of cultures and the unifying power of faith in 18th-century Batavia. Masjid Jami Bidayatul Hazanah stands near the Angke canal, a waterway whose name, derived from Hokkien, hints at a nearby slaughterhouse. This proximity to a site associated with life and death underscores the mosque’s role as a space for contemplation and connection with the divine, amidst the bustling realities of life. The mosque’s design is a fascinating fusion of Javanese, Balinese, Chinese, and even Dutch elements. The tiered roof, a hallmark of Javanese religious architecture, blends seamlessly with the upward-curving Balinese punggel. Hints of Chinese influence appear in the roof’s bracketing and lotus decorations, while the main door and window ornamentation bear traces of the Dutch colonial presence. This architectural medley mirrors the cultural melting pot that was old Batavia. Masjid Jami Bidayatul Hazanah isn’t merely an architectural marvel; it also holds historical significance beyond its construction. It serves as the final resting place of Prince Syarif Hamid of Pontianak, captured and held by the Dutch until his death in 1858. His tomb adds another layer to the mosque’s narrative, a poignant reminder of political struggles and the enduring human spirit. This place of worship has stood the test of time, undergoing several restorations throughout the decades. These efforts ensure that Masjid Jami Bidayatul Hazanah continues to inspire awe and reverence. As you stand before it, take a moment to absorb the weight of its history. Imagine the countless prayers whispered within its walls, the echoes of different languages, the convergence of cultures. Masjid Jami Bidayatul Hazanah is more than a mosque; it’s a time capsule, a testament to Jakarta’s captivating past, a beacon of resilience, and a symbol of unity in diversity.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to