Listen to the Saône River’s murmur. Here stand Les Girouettes à crues. These aren’t just rocks. They are art. They are history. They are a reminder of Lyon’s relationship with its river.
Les Girouettes à crues translates to “Flood Weather Vanes.” This installation was created by Erik Samakh in 2013. It marks the high-water levels of the Saône. The Grand Lyon commissioned it. It was part of the Rives de Saône development. The Ministry of Culture supported the project.
Observe the three granite stones. They stand on stainless steel axes. This allows them to pivot. The water level affects their position. Currents and alluvial deposits also play a role. Thus, their appearance constantly changes.
Samakh’s work interacts with nature. Les Girouettes à crues is a dynamic piece. It reflects the river’s power. The stones are simple yet elegant. They blend with the surroundings. However, they also stand out. They invite reflection.
Imagine the stones during a flood. They twist and turn. The river’s force becomes visible. Les Girouettes à crues provides a visual record. It captures a moment in time. It is a reminder of nature’s strength.
Nearby, another installation exists. It is called “Lucioles subaquatiques”. This consists of one hundred lights. They are solar-powered. These lights are designed to withstand high water. They can function even when submerged.
Les Girouettes à crues is more than art. It shows how public art can enhance a space. It adds a layer of meaning to the riverbank. Passersby stop and ponder. They think about the river. They consider the history of Lyon.
The stones are silent witnesses. They watch the river flow. They mark the passage of time. They connect us to the past. They remind us of the present. They hint at the future.
Next time you walk along the Saône. Take a moment to appreciate Les Girouettes à crues. Reflect on the river’s story. Consider the art’s message. See how art and nature combine.