Nestled amongst the villas southwest of the Grosser Garten, the Kirche Jesu Christi der Heiligen der Letzten Tage whispers tales of resilience and unexpected acceptance. The Kirche Jesu Christi der Heiligen der Letzten Tage stands as a testament to the enduring faith of the Mormon community in Dresden. It’s a story of paradox, a tale of a faith finding a home in the heart of East Germany’s socialist landscape. The first Mormon community blossomed in Dresden in 1855, only to dissipate under societal pressures. Yet, the embers of faith were rekindled after World War I, finding spaces in the city’s Zirkusstrasse and Königsbrücker Strasse. War’s destruction led them to the former Offizierscasino on Dr.-Kurt-Fischer-Allee, a temporary haven before their own sanctuary was realized. The Kirche Jesu Christi der Heiligen der Letzten Tage’s story intertwines with that of the Tiergartenstrasse 40 property. Once a grand villa owned by Bolivian Consul Paul Leonhardt, it housed parts of the Dresden Stadtarchiv, tragically lost during the bombing of February 13, 1945. The Gemeindezentrum, slightly offset from the original villa, now occupies this historic ground. The 1980s brought a turning point for Mormons in the GDR. A meeting between Erich Honecker and Church representatives resulted in surprising concessions. The agreement allowed the construction of the Freiberg Temple and new Gemeindezentren, including the one in Dresden. This gesture towards religious freedom was fueled by the GDR’s desire for international recognition, particularly from the USA. In March 1987, construction began on the Kirche Jesu Christi der Heiligen der Letzten Tage. The VEB Gesellschaftsbau Dresden, along with over 50 partners, brought the design by Dieter Hantzsche to life. Remarkably, the project was prioritized, even over existing contracts with the Evangelical Church, a clear indication of its political significance. The two-story building, with its hipped roof and three levels, echoes the classic villa style of its surroundings. The original off-white facade, a symbol of inner purification for Mormons, and the Erzgebirge slate roof, a rare material in GDR architecture, blended local tradition with the faith’s aesthetic. Inside, the unadorned elegance continues. White marble in the foyer contrasts with the warm tones of maple doors. The ground floor houses the bishop’s offices, classrooms, and a library. Upstairs, the chapel, separated from the baptismal font by a large glass pane, and the adjoining Kulturhalle offer spaces for worship and gathering. In 1988, the Kirche Jesu Christi der Heiligen der Letzten Tage opened its doors. Thirty thousand people flocked to the “Woche des offenen Hauses,” eager to glimpse inside. The official dedication followed on October 25, 1988, solidifying the Mormon presence in Dresden. The building, initially met with paradox and curiosity, became a symbol of faith’s persistence amidst a complex political landscape. Today, the Kirche Jesu Christi der Heiligen der Letzten Tage continues to serve as a spiritual home, a beacon of faith in a city steeped in history.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to