Whispers of resilience echo within the Kazasker Abdurrahman Efendi Cami. This mosque stands as a testament to the enduring spirit of Istanbul. Kazasker Abdurrahman Efendi Cami has a fascinating history. It was originally commissioned by Abdurrahman Efendi, a judge during the reign of Suleiman the Magnificent. The original structure, designed by the renowned architect Mimar Sinan, was completed around 1554-1555. It showcased classic Ottoman architecture, with solid walls, a wooden roof, and a hidden wooden dome. The Kazasker Abdurrahman Efendi Cami, like many structures in Istanbul, has faced its share of trials. In 1908, the Great Çırçır Fire swept through the city, leaving the mosque in ruins. Only its four walls and the base of the minaret survived. The mosque was rebuilt in the 1950s thanks to the Turkish Monuments Association and local philanthropists. Sadly, it was demolished again in 1957 due to urban development plans. It was believed to obstruct the path of the new Millet Boulevard, but ironically, it never did. The Kazasker Abdurrahman Efendi Cami lay dormant for decades. Then, in 2008, the Veysel Karani Hırka-i Şerif Mosque Service Foundation began its reconstruction. The project aimed to stay true to the original design, using a blend of stone and brick for the walls. The lead-covered roof was recreated, but the wooden dome was omitted this time. Inside, the ceiling features wooden slats, and a wooden staircase leads to the women’s gallery. The mihrab, minbar, and preacher’s pulpit, crafted by master woodcarvers from Kahramanmaraş, add intricate beauty to the space. The mosque’s windows, with iron bars on the lower level and plaster frames on the upper, offer a unique charm. Finally, in 2011, the Kazasker Abdurrahman Efendi Cami was reborn, thanks to the sponsorship of Muhittin Cesur, who dedicated it to his late wife, Kevser Cesur. Today, it stands as a symbol of perseverance, a place where the echoes of history blend with the prayers of the present.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to