Who could have imagined that this tranquil spot, overlooking the Bosphorus, holds such a vibrant history? Kayalar Mescidi, perched here on the rocks between Bebek and Rumelihisarı, has witnessed centuries of change. Kayalar Mescidi was first commissioned in 1652 by a prominent figure, Sıdkı Ahmet Paşa, who served as Nişancıbaşı, keeper of the Sultan’s seal, to Sultan Mehmet IV. The original structure, sadly, is lost to time. But what we see today, this charming wooden mosque, rose from the ashes of its predecessor in 1877, thanks to Şeyh Ahmet Niyazi Efendi, a member of the Kadiri Sufi order. For years, Kayalar Mescidi served as both a mosque and a tekke, a Sufi lodge, a place of worship and spiritual reflection. This practice continued until 1925 when tekkeler were officially closed across Turkey. Abandoned and neglected, Kayalar Mescidi fell into disrepair. It stood silent for 62 years, a testament to a bygone era. Then, in 1987, like a phoenix from the ashes, Kayalar Mescidi was restored to its former glory. Thanks to the generosity of local benefactors, it was carefully rebuilt, respecting its original design. Today, Kayalar Mescidi once again serves its original purpose, a beacon of faith on the shores of the Bosphorus. Its wooden frame, nestled against the rocky hillside, houses a prayer hall, a last congregation area, and even a small minaret. Look closely, and you’ll notice that the minaret’s base, a square of cut stone topped by a truncated pyramid, is a remnant of the original 17th-century structure. The mosque itself is modest, measuring only 174 square meters, with the interior prayer space occupying 84 square meters. It’s a simple rectangle, its walls of brick and timber supporting a tiled roof and a short, sloping eave. It’s a far cry from the grand imperial mosques of Istanbul, yet its simplicity speaks volumes. Kayalar Mescidi stands as a testament to the enduring power of faith and the resilience of community, a quiet sanctuary in the heart of a bustling city.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to