Imagine, if you will, the rumble of traffic fading as the solid red brick walls of Islev Kirke rise before you. These walls were deliberately chosen to shield those inside from the noise of the nearby Slotsherrensvej. Welcome to a space where the spirit soars and artistry whispers from every corner.
Islev Kirke stands as a testament to modern Danish church architecture. It was designed by the esteemed architect couple Inger and Johannes Exner. Their vision took form between 1969 and 1970. The church officially opened its doors on January 18, 1970.
Step inside. Notice the ingenious design that allows the adjacent parish hall to merge seamlessly with the main church space. Three large doors can open to accommodate around 350 to 400 people. This is especially useful for Christmas Eve services and confirmations.
Look up. The organ’s presence is commanding. The Exners designed this instrument too. Frobenius built it and it was inaugurated in 1971. In 2015, the organ underwent a significant renovation. It gained additional voices and a swell division for even richer sound. Notice the organ houses. They are crafted from furniture panels and painted in various blue, green, and violet shades. Each one houses unique voices. The facade carvings follow the formula for the superellipse. No two are alike. The old facade pipes display a spectrum of colors. They are carefully coordinated with each organ house. Johannes Exner passed away in 2015 before the organ’s completion. However, he collaborated with Inger and Karen Exner to design the star on the swell division.
Now turn your attention to the altar. It is a simple yet powerful construction of brick. A long band across the surface prevents the bricks from falling. There is no concrete except for the joints. The altar table is a superellipse resting upon a circle. Bent Exner crafted the copper candlesticks adorning the altar table.
Consider the crucifix. Robert Jacobsen created it from scrap metal found at a Paris junkyard. It was originally commissioned for a church near Randers. That congregation did not think it fit. Islev Kirke borrowed it for a trial period. It never left.
The baptismal font features a copper dish on an iron base. Bent Exner made the dish. Poul Skjellerup forged the base and copper bucket. Skjellerup also created the copper flower vases and candle holders.
Note how close to the floor the pulpit is. This creates intimacy between the pastor and the congregation. Grete Balle wove the beautiful tapestries that hang before the pulpit. She drew inspiration from the space. Robert Jacobsen’s crucifix was especially important. She incorporated halos in round and oblong forms. Balle aimed for visual harmony between the church space and her weavings. The rough yarn echoes the church’s rustic feel.
Consider the roof construction. It is a king post design that dates back to ancient bridge building. The vertical posts are called kings. The main king posts stand in openings in the outer walls.
Notice the lamps hanging from the ceiling. Louis Poulsen custom-made them based on Exner’s designs. They are positioned to illuminate the hymnbook from behind.
Before you leave, remember the fountain outside. It is called “Give it videre” or Pass it on. The Exners designed it. Poul Skjellerup built it.
Islev Kirke is more than just a building. It is a living community. It is a locally rooted sanctuary that spreads its Christian message. It is a place of fellowship, love, trust, and contemplation.