Can you feel the energy radiating from this place? Right here, at the Igreja Do Evangelho Quadrangular in Nova Iguaçu, there’s a palpable sense of history and faith. The Igreja Do Evangelho Quadrangular, often called the Foursquare Church, traces its roots back to a powerful vision. In 1922, Aimee Semple McPherson envisioned a “Foursquare Gospel” representing the four aspects of Jesus Christ’s ministry: Savior, Baptizer with the Holy Spirit, Healer, and King. This vision led to the church’s founding in 1923, with the inauguration of the Angelus Temple in Los Angeles. This vibrant start saw seven thousand conversions in the first few months, a testament to McPherson’s charismatic leadership. The church quickly expanded, driven by McPherson’s public appearances and her commitment to evangelism. The Igreja Do Evangelho Quadrangular’s journey to Brazil is a story of perseverance. Pastor Harold Williams and his wife, Mary, embarked on a mission to spread the Foursquare Gospel in South America. Their journey led them through several Brazilian cities before they finally established the first Foursquare Church in São João da Boa Vista in 1951. One of the unique characteristics of the Igreja Do Evangelho Quadrangular in Brazil is the use of tents for evangelistic campaigns. This innovative approach proved successful in reaching diverse communities, with each tent eventually becoming a new church. The church continued to flourish under the leadership of George Russell Faulkner in the 1960s, with the aim of reaching every state capital. Today, the Igreja Do Evangelho Quadrangular in Brazil has become a significant presence with thousands of temples and a dynamic ministry. The church’s growth reflects its commitment to spreading the Foursquare Gospel and its dedication to serving its community. As you stand before the Igreja Do Evangelho Quadrangular, take a moment to appreciate its unique history and the unwavering faith that has brought it to this vibrant city of Nova Iguaçu.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to