Gazing at the Iglesia San Antonio de Padua, one can almost hear the echoes of its tumultuous journey. This basilica, nestled in the heart of Villa Devoto, Buenos Aires, whispers tales of ambition, tragedy, and resilience. The Iglesia San Antonio de Padua’s story begins not with towering arches, but with a simple dream of urban development. In 1889, the Banco Inmobiliario envisioned a new neighborhood, complete with a church initially intended to be named Santa Rosa. However, the economic crisis of 1890 quickly shattered these plans, leaving the project abandoned. The dream rekindled in 1913 when Antonio Devoto, a prominent figure, acquired the land. He commissioned the Austro-Hungarian architect Marcovich to design a grand basilica, drawing inspiration from the Basilica di Superga in Italy. Artists Luis Boni and Dante Ortolani breathed life into the interiors, adorning them with exquisite paintings. Tragedy struck again with the death of Devoto in 1916. Construction slowed, then halted again in 1923 after the passing of his second wife, Elina Pombo. Elina’s siblings valiantly took up the mantle, finally consecrating the Iglesia San Antonio de Padua in 1928. Papal recognition followed in 1964, elevating it to the status of a minor basilica. Yet, the trials of the Iglesia San Antonio de Padua were not over. A devastating fire in 1991 ravaged the original dome. The resilient community rallied once more, and a new dome was unveiled in 1993, a symbol of their unwavering faith. Today, the Iglesia San Antonio de Padua stands as a testament to the enduring spirit of Villa Devoto. A fusion of architectural grandeur and the quiet strength of a community. It invites you to explore its hallowed halls and uncover the rich tapestry of stories woven into its very stones.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to