Can you feel the weight of centuries pressing down on us here outside the Iglesia de Jesús Nazareno? This unassuming church in the heart of Mexico City holds within its walls a story as dramatic and complex as the city itself. The Iglesia de Jesús Nazareno wasn’t always so quiet. It began its life in the early 17th century, beside the Hospital de Jesús Nazareno, founded by Hernán Cortés himself in 1524. The hospital, the oldest in the Americas, was originally intended for the sons of Aztec warriors. Cortés, in his last will and testament, decreed that the hospital should be built for them, not Spanish soldiers. He even left farmland in his will to ensure its continued operation. Construction of the church however, dragged on for decades. Started in 1601, it remained unfinished until 1662, finally opening its doors in 1668. The church we see today is a blend of architectural styles, reflecting its long and complicated history. The Italian architect José Besozzi added the Renaissance-style side facade in the 19th century. Inside, a powerful mural by José Clemente Orozco, painted in 1940, depicts his unique vision of the Apocalypse. But perhaps the most intriguing aspect of the Iglesia de Jesús Nazareno is its connection to Hernán Cortés. His remains, after a journey that spanned centuries and several locations, finally rest within these very walls. Initially buried in Seville, Cortés’s remains were moved, as he requested, to New Spain. They resided briefly in the Church of San Francisco in Texcoco, then another nearby temple before arriving at the Iglesia de Jesús Nazareno in the 18th century. A mausoleum and bust, created by Manuel Tolsá, marked his final resting place. During the tumultuous years of Mexico’s fight for independence, fears of desecration led to Cortés’s remains being hidden beneath the main altar, then later moved to an unmarked niche. It wasn’t until 1946 that they were rediscovered and, after authentication, returned to their current location marked by a commemorative plaque. Although photography and direct access to the niche are prohibited, the knowledge that the conquistador who irrevocably shaped Mexico City rests here adds another layer of significance to this quiet sanctuary. The Iglesia de Jesús Nazareno stands as a silent witness to the triumphs, tragedies, and transformations that have shaped this vibrant city.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to