Hidden behind these imposing gates lies Gizella-kastély, a place shrouded in mystery and whispered legends. A grand Baroque manor, Gizella-kastély began its life in the late 18th century, commissioned by Count János Festetics. The exact date of completion remains unknown, adding to the enigma, but records show it stood proudly by 1799. The architect’s name is lost to time, another secret held within these walls. Gizella-kastély’s facade was a single story, while the back, nestled against the sloping land, rose to two. A four-columned, open portico graced the front, adorned with a balustrade and frieze, crowned by a timpano. Outbuildings for the estate sprang up around the main structure. Disaster struck in 1825 when the roof of Gizella-kastély caught fire and burned. The estate’s history takes a lively turn in 1847. Actor Ákos Egressy and his friends embarked on a five-day adventure here at the invitation of György Zsivora, the owner at the time. This vibrant group included prominent theatrical figures like the Lendvay couple, the Egressy family, the Fáncsy family, the Szigligeti family, the elderly Déryné, Róza Laborfalvi, and even the poet Sándor Petőfi along with Zsigmond Czakó. Dressed in well-worn costumes, they created their own entertainment: swimming, fencing, target shooting, feasting, and sleeping under the open sky. This joyous occasion inspired Egressy’s composition “Rákosi Memory,” a piano piece dedicated to Zsigmond Szentpétery. Some sources suggest Zsivora didn’t acquire the estate until 1854. This discrepancy casts doubt on the 1847 gathering. Regardless, Zsivora’s daughter, Gizella Jozefa Amália Emma, met a tragic end at just ten years old. The estate was renamed Gizella-kastély in her memory. Her initials, “Z.G.”, are visible on the timpano, a poignant reminder of her short life. György Zsivora was a remarkable man. He used his wealth to nurture the minds of 32 students, supporting their education from lower grammar school to university. Gizella-kastély eventually fell into disrepair. By 1924, it was neglected. By the mid-20th century, it served various organizations. An attempted restoration in the 1980s stalled, leaving Gizella-kastély supported by scaffolding. Even homeless individuals sought refuge in its vaulted cellar. Thankfully, a private owner purchased Gizella-kastély in 1999, breathing new life into the neglected structure and grounds. While the interior remains private, the beautifully restored gates offer a glimpse into the grandeur of Gizella-kastély’s past.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to