Can a building breathe? The Gedung Seni Pertunjukan seems to. It inhales the bustling energy of Jakarta and exhales the quiet resonance of centuries past. This isn’t just a building. It’s a living archive. The Gedung Seni Pertunjukan, or Jakarta Art Building, stands as a testament to the enduring power of art and the evolving identity of Indonesia. Originally known as Schouwburg Weltevreden, its story begins in the early 19th century. Governor-General Daendels envisioned a theater for Batavia, a dream later realized by Stamford Raffles. In 1814, a simple bamboo theater rose near Lapangan Banteng, a space for the entertainment of British soldiers. This initial structure, with its capacity of 250, marked the beginning of the Gedung Seni Pertunjukan’s long and storied life. The bamboo theater, however, was not built to last. By 1820, it showed signs of decay. In 1821, under the Dutch colonial government, architect J.C. Schultze designed a permanent structure. The new Neoclassical building, using materials salvaged from the old town’s spinning house, took 14 months to complete. Finally, on December 7th, 1821, after a delay due to a cholera outbreak, the Schouwburg Weltevreden opened its doors. The first performance? Shakespeare’s Othello, a fittingly dramatic start to the building’s theatrical journey. The Gedung Seni Pertunjukan has witnessed much in its two centuries. From its early days lit by candles and kerosene lamps, to the introduction of gaslight in 1864, and finally electricity in 1882, the building adapted to the changing times. It has served not only as a stage for artistic expression, hosting performances ranging from opera and music to sirkus and sulap, but also as a crucial venue for historical events. The first Youth Congress in 1926 took place within these walls, marking Indonesia’s National Awakening. Later, just twelve days after Indonesia declared independence, President Sukarno inaugurated the Central Indonesian National Committee here. The Gedung Seni Pertunjukan’s purpose shifted throughout the years. It housed a military headquarters during the Japanese occupation, university faculties, even a cinema showing Chinese films. Yet, its core identity as a space for art and culture persisted. In 1984, a law was passed to restore the building to its original function, culminating in its renaming as the Gedung Kesenian Jakarta in 1987. Today, the Gedung Seni Pertunjukan continues to breathe. It offers two open halls, a grand concert room with a balcony, and a spacious stage, ready to embrace new generations of artists and audiences. It is a reminder that even amidst a bustling metropolis, the echoes of history and the power of art can endure, shaping the present and inspiring the future.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to