Gazing at the Evangelische Kirche Briesnitz, can you sense the echoes of centuries past? This church, nestled in Dresden’s Briesnitz district, has witnessed a fascinating evolution. Its story begins in the 11th century, around 1050. A simple chapel, possibly built upon a former Slavic sanctuary, marked the first structure. This Romanesque chapel, dedicated to the Virgin Mary, was one of Saxony’s earliest Christian churches. It played a pivotal role in the region’s Christianization. Briesnitz became the seat of an archdeacon in the 12th century. The archdeacon oversaw the church administration and legal matters. Twenty-six surrounding villages utilized the adjacent churchyard as their burial ground. Sadly, in 1223, conflict surrounding the Briesnitz castle resulted in the chapel’s destruction. However, remnants of its walls and foundation were incorporated into a barn around 1550, which lasted until the 18th century. These vestiges were unearthed during road construction in 1993, now preserved as a ground monument beside Meißner Landstraße. A new, larger church arose in the mid-13th century. It was built about 150 meters from the original site, on a mountain spur. This is the Evangelische Kirche Briesnitz you see today. Its core structure has endured through various modifications. It is the second oldest preserved sacred building in Dresden, following the Christophoruskirche in Wilschdorf. The Gothic choir, with its trefoil-shaped east window, houses the oldest sections. The nave was added around 1470. The tower was completed in 1502. The Reformation brought significant changes. In 1539, the Evangelische Kirche Briesnitz transitioned into a Protestant church. A fire in 1602 damaged the building and the tower, leading to the tower’s reconstruction with a Renaissance gable. Two galleries were incorporated into the nave in 1680. During the Romantic era, the church and its tower became cherished motifs for artists. Adrian Zingg, Caspar David Friedrich, Ludwig Richter, and Christian Friedrich Gille all captured its image. The original chapel’s cemetery was likely abandoned when the new church and its own graveyard were established. This “Inner Cemetery” served the 26 villages of the parish and underwent multiple expansions. Due to space constraints, an “Outer Cemetery” was established further from the church at the end of the 19th century. In 1881-82, the Evangelische Kirche Briesnitz underwent a complete neo-Gothic transformation. This was necessary due to structural issues with the roof and tower. Architect Gotthilf Ludwig Möckel led the project. Despite his efforts to preserve the historic tower, it was partially demolished and rebuilt with a Gothic spire and four smaller corner turrets. A painted wooden coffered ceiling, adorned with Old Testament scenes, was removed. Some panels were sold to the owner of the Tolkewitz dance hall “Donaths Neue Welt” but returned to the church in 1934. Möckel replaced the ceiling with a masonry vault and added neo-Gothic interior furnishings. The nave was also raised by 1.80 meters. The renovated church was consecrated on April 16, 1882. The neighboring village of Cotta left the Briesnitz parish in 1897. Other villages followed in 1912, forming their own congregations. Since 2006, the Evangelische Kirche Briesnitz has been part of the newly formed parish of Dresden-West. Extensive renovations took place between 1979 and 1983, and again from 2007 onwards. The church possesses numerous artistically and historically significant items. A trefoil-shaped choir window from the pre-Reformation era stands behind the altar. A Marian window, now in the sacristy, and wooden sculptures from a Marian altar also date back to around 1500. Paintings of former pastors adorn the walls, and tombstones of earlier pastors from the old churchyard are in the tower vestibule. A baptismal font was added in 1595, and its tin bowl commemorates Pastor Dominicus Eber, who served from 1603 to 1647. The church’s first organ arrived in 1622, crafted by Salomon Schmidt from Dippoldiswalde. It was replaced in 1856 by a new organ from Jahn. In 1995, Jehmlich Orgelbau Dresden installed a new organ within the historic 1882 organ casing. This organ boasts 32 registers, two manuals, a pedalboard with mechanical action, and 2315 pipes. After the 1602 tower fire, three bronze bells were acquired, but two were sacrificed for armaments in 1917. The third was sold to the Greifendorf congregation for 23,000 Reichsmarks after the war. With the proceeds, three steel bells were purchased from the Lauchhammer bell foundry in 1920. These served the church until 2017, when they were replaced with new bronze bells. The Evangelische Kirche Briesnitz stands as a testament to enduring faith and resilience across the ages.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to