Why are there holes in sculptures? Many people ask that question when they see the Epidauros II Sculpture here in the garden. This bronze sculpture by Barbara Hepworth is a perfect example of her iconic style. Hepworth believed that sculptures should “grow” in the open, interacting with light, space, and sky. The Epidauros II Sculpture, with its curved forms and signature hole, seems to breathe and expand around us. It invites us to consider the relationship between solid form and open space, prompting reflections on nature and the human form. The sculpture’s title hints at its inspiration: the ancient Greek city of Epidaurus, known for its theatre and healing sanctuary. Hepworth’s work often drew upon her experiences of landscape and architecture, and Epidauros II seems to echo the harmonious balance between human creation and the natural world that she found so compelling. Take a moment to circle the sculpture, observing how the light plays on its surfaces and how the hole seems to frame different views of the garden. It’s a powerful reminder that sometimes, what’s missing is just as important as what’s there.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to