Hidden within the grandeur of the Metropolitan Cathedral in Mexico City, El Cristo, a remarkable sculpture, awaits. This isn’t just any depiction of Christ. El Cristo is known as Nuestro Señor del Veneno, Our Lord of Venom. The statue’s dark hue holds a captivating story. Originally, El Cristo was carved from wood and painted white in the 1600s. One legend whispers of a priest who heard the confession of a murderer. The priest withheld absolution until a full confession was given. Fearing exposure, the murderer plotted revenge. Knowing the priest’s habit of kissing the feet of the crucifix daily, he coated them with poison. The next day, as the priest knelt, El Cristo absorbed the poison, turning black to protect the priest. Another tale tells of two rivals, Don Fermín and Don Ismael. Consumed by jealousy, Don Ismael poisoned Don Fermín. Don Fermín, unaware, went to the Cathedral as usual. Kneeling before El Cristo, the statue drew the poison from his lips, changing color as it saved his life. Millions visit El Cristo each year, drawn to its unique story and the power it represents. The legends surrounding El Cristo embody a profound message. Christ absorbs the venom of sin and evil, sacrificing himself for humanity. El Cristo’s blackness serves as a poignant reminder of this sacrifice. It inspires reflection on the cost of grace and the immeasurable value of each individual soul.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to