Gazing upon the Église Notre-Dame Saint-Louis, one might initially perceive a simple neoclassical structure. But its story, much like the vibrant neighborhood of La Guillotière where it stands, is layered with complexity and resilience. The Église Notre-Dame Saint-Louis sits at the crossroads of Rue de la Madeleine and Grande Rue de la Guillotière. This isn’t the first sacred space to grace this spot. A much earlier chapel, Notre-Dame de Grâce, was erected in 1619. This chapel served various groups, from river mariners to the Pénitents Blancs, a Catholic confraternity. Eventually, it became the parish church, a role it struggled to maintain given the burgeoning population of La Guillotière. The French Revolution brought further changes, assigning the chapel of Saint-Louis des Franciscains to parish duties. This too proved inadequate. Finally, between 1842 and 1847, architect Christophe Crépet brought forth the Église Notre-Dame Saint-Louis that we see today. The church’s exterior, with its Tuscan pilasters and two-story facade, hints at the grandeur within. The statues of the four Evangelists nestled in their niches watch over the entrance. The north side facade, with its arched windows, showcases the neoclassical design. A modest clock tower rises above the main structure. Inside, a basilica plan unfolds. A wide nave stretches forward, flanked by two side aisles, all leading to a hemicycle choir. Corinthian columns support flowered cornices, while arched windows bathe the space in soft light. The choir, with its three arched windows and overhead lighting, adds a dramatic flair. Look up to admire the frescoes by Louis Bardey and L. Rogniat. They depict Christ in Majesty surrounded by adoring angels. Other frescoes portray the early church figures of Saint Irénée and Saint Pothin. In the side chapels, artistic treasures await. Joseph-Hugues Fabisch’s statue of Notre-Dame de Grâce graces the left altar. In the right chapel, a painting by Angel Joyard shows Saint Louis in prayer, a commission from the city of Lyon itself. The church’s stained-glass windows, dating back to the 19th century, tell the stories of the Virgin Mary and Saint Louis in vivid detail. Finally, no visit to Église Notre-Dame Saint-Louis would be complete without acknowledging its musical heart. The 1946 Michel-Merklin & Kuhn symphonic organ boasts 2,000 pipes, crafted from wood and animal skins. It stands as a testament to the enduring power of art and faith within the heart of Lyon.
Hôtel de Cuzieu
Question. What stories could these walls tell? Right here we are standing before the Hôtel de Cuzieu at 30 rue