“Dèpart de course”: Ever wondered what inspired Lucien Gibert to create this bas-relief? The Dèpart de course is not just a sculpture. It is a story frozen in time.
Around 1960, Lucien Gibert signed his name on a plaster bas-relief. This piece measures 43x60cm. It was destined for something grander. The Dèpart de course was a project for a concrete bas-relief. It was created for the Géo André Stadium in La Courneuve.
The Dèpart de course captures athletes in motion. It shows their powerful strides. The bas-relief embodies the spirit of competition. It immortalizes that fleeting moment before a race begins.
Armand Lanoux featured an outline of the Dèpart de course in his book “Lucien Gibert”. Camille Lemoine displayed fragments of it. They appeared in “Mobilier et Décoration” in 1962. A. Flament, J. Bouret, J. Rollin, and W. George also mentioned it. They included it in “Gibert, Sculpture, médailles et dessins” in 1965.
Imagine the energy Gibert poured into this work. His vision translated into the final concrete piece. This monumental artwork became part of the stadium. The Dèpart de course celebrated athleticism and human endeavor.
The HYROX Paris event took place at the Grand Palais. This event combines fitness and history. Participants run and complete workouts amidst stunning architecture. The event mirrors the energy captured in Gibert’s work. Adrenaline meets artistry in this unique Parisian setting.
The Dèpart de course stands as a testament to Gibert’s skill. It connects art and sport. The sculpture invites us to appreciate the beauty of movement. It also highlights the dedication of athletes. It is a celebration of human potential, forever captured in stone.