What marked the city’s edge in 16th-century Leipzig? Let’s unravel the story of the Connewitzer Kreuz, a silent sentinel witnessing centuries of change. The Connewitzer Kreuz isn’t just a stone stele. It’s a tangible link to Leipzig’s past, standing proudly at the intersection of Bornaische and Wolfgang-Heinze-Straßen. This spot, once a bustling trade route, held significant importance for the city. The Connewitzer Kreuz, erected in 1536, replaced older wooden crosses marking Leipzig’s jurisdiction. Commissioned by the city council, this imposing octagonal pillar, crafted from Rochlitz porphyry, stands almost five meters tall. Its sandstone crown features the Leipzig coat of arms and a skull at the foot of the crucified Christ. A closer look at the Connewitz-facing side reveals a striking Andreaskreuz and the year of its creation, 1536. The Connewitzer Kreuz served as a crucial marker for approaching merchants. It signaled the city’s administrative and legal authority. Traders traveling north on the Via Imperii, a major European trade route, would pass the Connewitzer Kreuz before entering Leipzig’s bustling markets. The original Connewitzer Kreuz, weathered by time and elements, now resides within the walls of the Stadtgeschichtliches Museum (City History Museum) in the Altes Rathaus (Old City Hall). What we see today at the crossroads is a faithful replica, installed in 1994. Local churches, including the Paul-Gerhardt-Kirche, and the Sparkasse Leipzig championed the creation of this copy, ensuring the Connewitzer Kreuz continued to mark this historic spot. The replica was unveiled on September 8, 1994, coinciding with the opening of the Sparkasse’s new consultation center in Connewitz. Today, the area around the Connewitzer Kreuz remains a significant public space in the Südvorstadt and Connewitz districts, hosting gatherings and celebrations. The Connewitzer Kreuz continues to watch over the city, a steadfast reminder of Leipzig’s rich history and enduring spirit.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to