Cimetière de Clamart

In 1946, a vision took root. The Cimetière de Clamart, a new resting place, was conceived. Clamart, along with Vanves, Malakoff, Issy-les-Moulineaux, and Chatillon, joined forces. They formed the Syndicat Intercommunal du Cimetière de Clamart. Boulogne-Billancourt joined them in 1952. Their goal was ambitious. They wanted to create a modern cemetery that could accommodate the growing needs of the community. The chosen site for Cimetière de Clamart was once agricultural land. It sprawled across nearly 40 hectares between Clamart and Petit-Clamart. This expansive area, bordered by the Bois de Meudon to the north, presented both opportunities and challenges. The eastern part required significant drainage. The task of designing Cimetière de Clamart fell to Robert Auzelle. Auzelle, a visionary architect, had already made a name for himself with his innovative cemetery designs. His initial plan for Cimetière de Clamart was a structured, rectilinear layout. It featured distinct burial areas separated by thoughtful plantings. The entrance, located along the Chemin de la Porte de Trivaux, would house essential buildings. An open ceremony area, framed by a square portico, was central to the design. However, financial constraints and changing urban plans forced a shift. Auzelle reimagined Cimetière de Clamart as a “cimetière du parc,” or park cemetery. This new design embraced the natural landscape. It also allowed for a phased construction approach, essential given the budgetary limitations. The main building and access esplanade were strategically shifted. This ensured they wouldn’t dominate the view from the new housing development planned nearby, the Cité de la Plaine. Construction of Cimetière de Clamart began in 1951, but it was a long and complex process. Funding issues led to repeated revisions of the phasing. The initial plans for stone buildings were replaced with more cost-effective concrete. The cemetery finally opened in 1956, though the buildings were still incomplete. The crematorium, initially planned for the eastern section, was ultimately abandoned, as was the original ossuary. The entrance buildings, started in 1954, were redesigned with a more modern aesthetic using concrete. The landscaping of Cimetière de Clamart was a key element of Auzelle’s vision. He collaborated with architect Ivan Jankovic to create distinct zones with varying styles and atmospheres. They chose plant species carefully, considering their size, foliage, and seasonal changes. The result is a harmonious blend of architecture and nature, a peaceful final resting place that respects the landscape and honors the departed. Despite the challenges and changes, Cimetière de Clamart stands as a testament to Auzelle’s innovative approach to cemetery design. He successfully integrated the needs of a growing community with the natural beauty of the site. It created a unique and enduring memorial landscape.