Slipping through time, imagine yourself back in the early 20th century. Buangkok is a patchwork of farms, tilled by hardworking Chinese families. The land, a blend of state-owned and privately held by the Singapore United Rubber Plantations Limited, echoes with the rhythm of rural life. Buangkok, meaning “ten thousand countries,” draws its name from the rubber company’s Teochew name, “Multi Nations.” Fast forward to the late 1990s. The landscape of Buangkok undergoes a dramatic shift as Sengkang’s development carves through its heart. Lorong Buangkok, the area’s namesake road, is split into two distinct sections. One remains at Buangkok’s western edge near Yio Chu Kang Road. The other, a shorter stretch, finds a new home within Sengkang near Punggol Road. The once vibrant tapestry of kampongs and villages that defined Buangkok gradually disappears between 2005 and 2009. Amidst this transformation, a lone survivor emerges: Kampong Lorong Buangkok. This last vestige of traditional village life stands as a poignant reminder of Buangkok’s past. Now, consider Buangkok’s modern face. The Buangkok MRT station, opened in 2006, pulses with the flow of commuters. Buses weave through the streets, connecting residents to the wider city. New developments like the Buangkok Square Mall and the upcoming Sengkang Grand Residences & Mall hint at the area’s continuous evolution. Yet, beneath the veneer of modernity, echoes of “ten thousand countries” still linger. A quiet road, a preserved kampong, and a name whispering stories of a bygone era. Buangkok stands as a testament to Singapore’s ever-changing landscape, a place where the whispers of the past intertwine with the hum of the present.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to