Lost in the urban sprawl of Rio de Janeiro, Brás de Pina whispers tales of whale oil and sugar cane. Brás de Pina isn’t just a neighborhood. It’s a remnant of a vast estate owned by a remarkable entrepreneur, Brás de Pina. This Portuguese businessman, a whale oil contractor and sugar mill owner, left his mark on 18th-century Rio. Brás de Pina’s influence extended beyond this area. He established a whaling station, “Cais de Braz de Pina,” near the current Rua Visconde de Itaboraí in downtown Rio. He even founded Armação dos Búzios, the glamorous beach town frequented by Brigitte Bardot, initially a hub for processing whale products. The Brás de Pina estate, nestled in the then-rural outskirts of Rio, included a sugar mill, residence, and a chapel deemed one of the finest in the Recôncavo, the area surrounding Guanabara Bay. By the late 19th century, the once-expansive estate had been parceled out to small farmers, mostly Portuguese, who supplied the city’s markets with fresh produce. This shift reflects the broader transformation of Rio’s rural landscape during this period. Brás de Pina’s modernization began in the early 20th century with the arrival of the Leopoldina Railway and the establishment of the Brás de Pina station in 1910. The Companhia Imobiliária Kosmos, owned by the Guinle family, envisioned Brás de Pina as a “garden neighborhood,” much like Vila Ipanema. They laid out streets, built colonial-style houses, and planted trees, creating what was initially called “Vila Guanabara.” The distinct, pointed tower of the Santa Cecília Church, inaugurated in 1929, stands as a testament to this era, an architectural gem unlike any other in Rio, reminiscent of a small-town church in Central Europe. In its heyday, Brás de Pina earned the nickname “Princesinha da Leopoldina,” attracting affluent residents and hosting lavish parties. Today, amidst the bustle of modern Rio, Brás de Pina retains a unique charm. It whispers stories of its colonial past, of whale oil and sugar cane, of garden city dreams and a vibrant community.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to