Nestled between the Hechtviertel and Scheunenhofviertel, Bischofsplatz has a rich history. Bischofsplatz isn’t just any square. Its name, bestowed in 1892, echoes the medieval Bischofsweg, a path connecting Meissen and Stolpen. Imagine Bischofsplatz in the 1920s. The TeBe cinema, designed by Martin Pietzsch, opened its doors at number 4. With 500 seats, it became a local landmark, later known as T.B.-Lichtspiele or Theater am Bischofsplatz. It thrived until the late 1960s. Remarkably, Bischofsplatz escaped destruction during World War II. This allowed it to retain the unique character of a Gründerzeit working-class neighborhood. Director Kurt Maetzig recognized this. He filmed scenes for his 1954 film, “Ernst Thälmann – Sohn seiner Klasse,” right here at Bischofsplatz. More recently, in 2012, Bischofsplatz underwent a significant transformation. Thanks to an EFRE-funded project, the square was revitalized. Today, you can still admire the Römmler-Houses at numbers 12-16, named after photographer Emil Römmler. These buildings, along with the former cinema at number 4, are now protected historical monuments, preserving a piece of Dresden’s past here at Bischofsplatz. The square also plays a vital role in Dresden’s transportation network. The S-Bahn station at Bischofsplatz, opened in 2016, connects directly to Dresden-Neustadt station. This provides easy access to the city center. A bustling hub, Bischofsplatz remains a vibrant part of Dresden’s urban fabric.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to