Amidst the vibrant tapestry of Buenos Aires, the Basílica Auxiliadora stands as a testament to faith and architectural grandeur. The Basílica Auxiliadora, also known as the Basílica María Auxiliadora y San Carlos, is a monumental temple erected by the Salesian Order. Its construction, spanning from 1900 to 1910, represents the most significant architectural undertaking by the Salesians of Don Bosco in Argentina. The basilica’s story begins in 1871. A group of residents founded the “Sociedad Progresista de Villa San Carlos.” On donated land, they built a church and school. They named the church “San Carlos Borromeo.” For a time, Bayonne fathers, who cared for the Basque parishioners in the area, oversaw the parish. Later, a significant Italian immigration wave populated Almagro. The Salesian order, of Italian origin, took charge of the parish. By 1900, the growing community outgrew the school and church. The construction of a new temple was announced, dedicated to “honoring the Sacred Heart of Jesus and Mary Help of Christians.” Even President Julio Argentino Roca sponsored the project. With the support of parishioners and neighbors, the Italian architect and priest Ernesto Vespignani was brought from Italy. Vespignani, who had studied at the academies of Modena and Turin, directed the construction. He brought a Romanesque Lombard style from his homeland. He was also responsible for other works in Buenos Aires, including the Basilica del Santísimo Sacramento de Retiro and the Church of San Pedro in La Boca. On May 24, 1910, the new Temple of San Carlos was inaugurated. This date coincided with the day of Mary Help of Christians and the eve of the May Revolution’s centennial. The image of Mary Help of Christians, blessed by Don Bosco himself shortly before his death, was placed in a special chamber accessible by a pilgrimage staircase. The Basílica Auxiliadora is built on three levels, symbolizing the three states of the church. The crypt below is dedicated to the deceased faithful. The main level, or central nave, is for the “Pilgrim Church.” The second level represents the “Triumphant Church.” The bell tower reaches 64 meters high. At the other end of the second level is a grand organ with 2500 pipes. Frescoes of the 12 apostles adorn the upper nave, while the starry blue vault symbolizes heaven. The octagonal dome rests on four pillars. Multicolored marbles, rosettes, and stained glass windows enrich the basilica’s beauty. Behind the main altar and sacristy lies the baptistery, a small, almost circular space. Here, in this baptistery, Jorge Mario Bergoglio, our Pope Francis, was baptized at Christmas in 1936. His grandparents lived nearby, and he spent part of his childhood in the neighborhood. Even as Cardinal Bergoglio, he would visit the basilica on the 24th of each month to pray to Mary Help of Christians. In 1942, Pope Pius XII granted the church the title of Basilica. In 1991, the basilica became the central symbol of the neighborhood emblem. In 2006, the Buenos Aires Legislature declared it a site of “historical and cultural interest.” Adding another layer of intrigue, Carlos Gardel was among its parishioners. He studied at the Salesian “Schools of Arts and Crafts.” As a child, he sang in the church choir, a fact commemorated by a plaque. Ceferino Namuncurá also received his First Communion here and has a temple within the basilica, blessed by Pope Francis when he was the archbishop of Buenos Aires. The Basílica Auxiliadora’s intricate architecture, historical significance, and spiritual resonance make it a true gem within the heart of Buenos Aires.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to