Could an institution disappear, yet its legacy linger? Here at the former site of Badan Tenaga Atom Nasional, or BATAN, that question hangs in the air. BATAN, Indonesia’s national nuclear energy agency, once stood here, a hub of research and development since its inception in 1958. BATAN wasn’t about bombs. It focused on peaceful applications of nuclear energy: medicine, agriculture, and of course, the tantalizing prospect of nuclear power. Indonesia’s energy needs were growing, and BATAN held the promise of a cleaner, more sustainable future powered by the atom. Presidential decrees outlined ambitious plans for nuclear power plants, a vision of reactors dotting the archipelago. BATAN even explored thorium molten salt reactors, a cutting-edge technology with the potential to revolutionize energy production. They investigated sites across the nation, from the Muria Peninsula to Bangka Island, searching for the perfect location for these powerhouses. BATAN wasn’t working in isolation. They collaborated with international partners like Russia, South Korea, and even the USA, exchanging knowledge and exploring different reactor designs. The International Atomic Energy Agency (IAEA) recognized Indonesia’s readiness to develop nuclear energy, a testament to BATAN’s efforts. However, the path to nuclear power was not without its hurdles. Public protests arose, fueled by fears of nuclear waste and the ever-present threat of earthquakes in this seismically active region. Ultimately, the grand vision of large-scale nuclear power didn’t materialize. In 2021, BATAN was absorbed into the National Research and Innovation Agency (BRIN), its distinct identity fading away. Yet, the research conducted here, the partnerships forged, the dreams of a nuclear-powered future, all continue to resonate. The former site of BATAN stands as a reminder of Indonesia’s nuclear ambitions, a chapter closed, yet its influence still felt in the nation’s ongoing quest for energy security.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to