Ever wondered about a cinema that championed foreign films? Welcome to Allée de l’Arlequin home to L’Arlequin cinema. This isn’t just any movie theater. It’s a cultural landmark a testament to cinematic diversity.
L’Arlequin boasts a rich history. Initially the Lux Rennes it opened in 1934. Interestingly it replaced a planned electric power station. This shows the area’s transformation.
Then came Jacques Tati the legendary filmmaker. In 1962 he took over. He renamed the cinema L’Arlequin. He even screened his masterpieces there. Jour de Fête and Playtime were shown in their glorious 70mm format. A unique experience for its time.
For a decade from 1978 to 1991 it was known as Le Cosmos. This period saw a focus on Soviet films. The cinema even installed a 70mm Russian projector. This highlights the cinema’s flexibility and its role in showcasing international cinema.
The 1990s brought renovations. L’Arlequin returned with a pre-Cosmos decor featuring blue colours and a Roman curtain. The addition of two more screens in 2001 transformed it further. The cinema now offered a more varied viewing experience.
L’Arlequin’s commitment to 70mm film is remarkable. By 2022 its main auditorium was the only one in Paris capable of showing films in this format. This underlines its importance in preserving cinematic history and providing a rare experience.
L’Arlequin isn’t just about showing films. It hosts film festivals too. The German Film Festival Regards de Russie and the Nollywood Week are just some examples. The cinema promotes cultural exchange. It shows a wide range of cinematic styles. L’Arlequin truly is a unique Parisian cinema. A place for film lovers a champion of international cinema and a keeper of cinematic heritage.