Behold After Olympia. This monumental sculpture stands before you. Its rusted steel forms a powerful presence. Anthony Caro created it in 1985. He was inspired by a trip to Greece. Specifically the temple of Zeus at Olympia.
Caro’s After Olympia isn’t a direct copy. It’s an interpretation. The triangular composition is similar. So are the simple shapes. But Caro uses modern industrial materials. The result is a distinctly 20th-century artwork.
The sculpture is massive. It’s 23 meters long. Imagine the scale. It dominates its surroundings. The weathered steel reflects the Parisian light. It changes with the time of day. The sheen is both beautiful and stark.
Originally it stood near the CNIT. Construction projects moved it. For a time it was even at the Rodin Museum. Eventually it found its permanent home. It sits on the parvis of La Défense. It commands attention. This is After Olympia. Its current location is near the towers Opus 12 Atlantique and EDF. This placement is a triumph of perseverance. It was nearly lost to redevelopment. Thankfully preservation efforts saved it.
After Olympia is more than just metal. It’s a testament to creativity. It’s a conversation between ancient forms and modern materials. The sculpture invites reflection. It stands as a reminder of art’s enduring power. Caro’s work is a powerful reminder. A powerful presence in the heart of La Défense. Enjoy this incredible artwork. It speaks volumes about art’s enduring power. It’s part of the vibrant cultural landscape of Paris. It’s a must-see for any visitor to La Défense.