Did Abbas Aga ever imagine his name would grace a mosque, a neighborhood, and even a park in Istanbul? Here we stand before the Abbasağa Camii, a testament to this influential figure. Constructed in 1655 by the Chief Black Eunuch himself, Kızlar Ağası Abbas Aga, this mosque has witnessed centuries of Istanbul’s vibrant history. Originally built to honor Abbas Aga, the mosque is more than just a place of worship. It embodies the legacy of a man who commissioned numerous public works throughout the city, from baths and fountains to schools and mosques. Abbasağa Camii stands within the quarter that bears his name, a neighborhood that once housed the Abbasağa cemetery. Sadly, this cemetery met its demise in 1939, its tombstones sold off and cypresses felled. In its place rose Abbasağa Park, a bittersweet transformation. The Abbasağa Camii itself underwent significant renovations during the reign of Sultan Mahmud II in 1834, shaping the structure we admire today. While later repairs have been made, the mosque still retains its distinct 19th-century Ottoman character. The mosque’s exterior, encircled by high walls, evokes the image of a grand mansion. Two gates lead into a narrow courtyard. One gate, initially leading to the Sultan’s Mahfil, now serves as the imam’s entrance. The other grants access directly to the mosque itself. Inside, the wooden craftsmanship of the sanctuary ceiling commands attention. Intricate geometric patterns, highlighted with gold, adorn the surface. A large chandelier hangs from a golden star at the center, adding to the sense of grandeur. The Sultan’s Mahfil, a colorful wooden structure topped by a plasterboard dome, is a unique feature. It rests on six wooden columns within the sanctuary. So, as we stand here, let us appreciate not only the beauty of the Abbasağa Camii, but also the enduring story of Abbas Aga. From the heights of palace influence to his final resting place in Cairo, his impact on Istanbul remains visible for us to explore.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to