Completed in 1930, the True Light Building stands as a testament to Shanghai’s architectural prowess. Did you notice its distinctive Gothic Art Deco style? Designed by the renowned architect L.E. Hudec, the True Light Building, originally called the China Baptist Publication Building, holds a unique place in Shanghai’s history. The building takes its name from the *True Light* magazine published by the China Baptist Publication Society, which was housed within its walls. The society itself had a fascinating journey, starting in Guangzhou in 1899 before eventually finding its home here in Shanghai. Imagine the hustle and bustle of the printing presses as the *True Light* magazine came to life within these very walls. The True Light Building wasn’t just home to the publication society. It also housed other important organizations like the Fuyin Bookstore and, significantly, the Baptist-affiliated University of Shanghai. During the tumultuous years of the Second Sino-Japanese War, the university’s main campus was occupied by Japanese forces. The university relocated its operations to the True Light Building, continuing its educational mission even amidst wartime chaos. Students attended classes in shifts due to limited space, a testament to their resilience. Interestingly, Hudec’s own architectural firm also operated from within the True Light Building. The structure itself is a marvel of design. The brown tiles and vertical lines, accented by subtle angles, create a visually striking effect. The building culminates in a tiered top, adding a touch of Gothic Revival flair to the Art Deco base. This unique blend of styles sets it apart from the surrounding buildings. The True Light Building stands as a silent witness to Shanghai’s vibrant past. It embodies not only the city’s architectural innovation but also its resilience and adaptability in times of challenge. Its story reminds us of the enduring power of education and the importance of preserving our historical landmarks.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to