“Five photographs, that’s all it took,” the guide whispered, holding up a worn photograph album. You might know the Izumi Museum of Art for its Taikan Yokoyama and Kaii Higashiyama collections. But hidden within these walls is a poignant echo of Hiroshima’s past. In 1957, photographer Ken Domon, known for his social realism, entered Hiroshima for the first time. He was met not with bustling city life, but the lingering wounds of the atomic bombing. Five photographs from his collection “Hiroshima” are housed here at the Izumi Museum of Art. They capture the raw, vulnerable reality of survivors: a woman undergoing skin graft surgery, children bearing the unseen scars of radiation exposure. Domon’s lens didn’t shy away from the harsh truth. His notes, partially displayed for the first time, reveal the anger and shock that fueled his work. He wrote, “too much is unknown” urging the world to remember. The Izumi Museum of Art, while celebrating beauty and creativity, also becomes a guardian of memory. It ensures that even amidst stunning artistry, the stories of the past, like Domon’s stark photographs, continue to resonate, reminding us of resilience and the importance of peace.
泉美術館
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浅野長勲公頌徳碑 Stele
“Remembering greatness” is etched in stone before us. The \u6d45\u91ce\u9577\u52f2\u516c\u980c\u5fb3\u7891 Stele stands as a testament. It honors Asano Nagakoto. This