Obelisco della Minerva Sculpture

Why is that elephant facing the wrong way? We are standing in Piazza della Minerva, right in front of the Obelisco della Minerva. This isn’t just any obelisk. It’s a fascinating blend of ancient Egyptian craftsmanship and playful Baroque design. Brought to Rome from Heliopolis under the Roman emperor Domitian, the Obelisco della Minerva originally graced the Temple of Isis in the Campo Marzio. Lost to time, it was rediscovered in 1665 during excavations in the garden of the Santa Maria sopra Minerva basilica. Pope Alexander VII, a patron of the arts, commissioned the renowned Gian Lorenzo Bernini to create a fitting base for this rediscovered treasure. Bernini envisioned a majestic elephant, symbolizing strength and wisdom, to carry the obelisk on its back. The inscription on the base reflects this sentiment, reminding us that “it takes a strong mind to support solid wisdom.” But look closely. The elephant’s rear end faces the Dominican convent behind it. Rumor has it that Bernini, frustrated by the Dominicans’ criticism of his design, subtly expressed his displeasure in this manner. They argued the elephant wouldn’t hold the obelisk, forcing Bernini to compromise his vision with additional supports masked by an elaborate caparison. Romans, ever ready with a nickname, dubbed it the “Pulcino della Minerva,” or “Minerva’s Chick,” for its somewhat squat appearance. This nickname, a testament to the city’s playful spirit, has endured through the centuries. So, the next time you’re in Piazza della Minerva, take a moment to appreciate the Obelisco della Minerva. It’s not just a monument, but a silent witness to artistic genius, papal patronage, and a dash of Roman humor frozen in time.