Princess Theatre

Standing proudly on Spring Street in Melbourne, the Princess Theatre is more than just a building; it’s a grand ode to the city’s vibrant past and a testament to its enduring love for the stage. The Princess Theatre, initially called Princess’s Theatre, was established in 1854 during Melbourne’s gold rush period. In 1886, it was completely rebuilt to a captivating design by prominent Melbourne architect William Pitt. This reconstruction brought in the dazzling Second Empire style that mirrored Melbourne’s prosperous era, making it the oldest entertainment site on mainland Australia. The theatre was the first to showcase a sliding ceiling, a cutting-edge feature that allowed the auditorium to turn into an open-air theatre on pleasant nights. The Princess Theatre boasts an array of extraordinary features, including an impressive marble staircase and grand foyers, inspired by prestigious venues like the Paris Opera and the Frankfurt Stadt.
While the exterior reflects the grandeur of its past, there’s a captivating story within its walls. Can you imagine the Princess Theatre as a vibrant equestrian entertainment venue with a stage for drama? In 1854, it housed Astley’s Amphitheatre, echoing the famous Astley’s Amphitheatre near Westminster Bridge in London. The first lessee was George Lewis, who held a series of concerts from 11 September 1854.
But there’s more to the Princess Theatre than just its historical brilliance. It’s also known for its resident ghost: the ghost of Frederick Federici, a baritone who performed the role of Mephistopheles in Gounod’s opera Faust on 3 March 1888. As he dramatically descended through a trapdoor to symbolize his descent into hell, Federici suffered a heart attack and died instantly. Since then, many have claimed to see his ghostly figure in evening attire, leading the theatre to keep a seat vacant in the dress circle for him at every opening performance. So, as you stand before this grand stage, remember the echoes of history and the fascinating stories that linger within its walls.