“He seems to be wrestling with something” you might think as you gaze upon Der Auseinandersetzer. This imposing sculpture stands on the Nordermole in Travemünde a part of Lübeck. Created by Guillermo Steinbrügen in 1992 it’s a powerful figure made of Eggeberg dolomite. It’s 260 meters high a silent sentinel overlooking the Baltic Sea.
Der Auseinandersetzer isn’t just a statue. It’s a symbol of reconciliation. It commemorates the settling of disputes over the expansion of the Skandinavienkai a significant port in Lübeck. The sculpture’s creation was commissioned by the Lübeck Port Authority and several shipping companies. It’s a testament to their coming together after a period of conflict.
The man in the sculpture appears to be grappling with a large stone block. His face is partially obscured. Only from certain angles can you fully see his features. This deliberate ambiguity is characteristic of Steinbrügen’s style. He suggests more than he explicitly reveals leaving much to the viewer’s interpretation. The work’s introspective nature is emphasized by the man’s inward-turned posture. The marks of the sculptor’s chisel are visible adding to the sculpture’s raw powerful feel.
The placement of Der Auseinandersetzer is equally significant. It stands on the old Nordermole a structure built on deep oak piles and large stones painstakingly gathered from the seabed. Its location right at the entrance to the harbor highlights its role as a symbol for Lübeck. Its presence there initially sparked controversy. Some worried about the mole’s structural integrity under the sculpture’s considerable weight. Others questioned the aesthetics of placing such a large imposing figure at the entrance to Travemünde’s harbor.
Guillermo Steinbrügen however argued passionately for its placement. His conviction that the sculpture belonged precisely on this exposed point convinced the mayor Michael Boutellier. Despite skepticism the city approved its placement. The decision proved to be a good one. Der Auseinandersetzer has become a landmark. It’s a part of Travemünde’s landscape.
The story of its installation is a small adventure in itself. With limited funding Steinbrügen himself drilled the anchors into the mole’s foundation. Passersby curious about the ongoing work were amused by the artist’s cryptic descriptions of his project.
Today Der Auseinandersetzer continues to stand as a symbol of reconciliation. It endures the elements. It continues to prompt reflection and contemplation. It’s a reminder that even amidst disagreements solutions and understanding can be found. It’s a compelling artwork. This is Der Auseinandersetzer a powerful testament to a city’s past and its future.