Eyyuhumahmet Cami

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Imagine a standard-bearer’s final rest. That is what makes the Eyyuhumahmet Cami so special. This Istanbul mosque marks the burial spot of Ebu Eyüp el-Ansari. He carried the Prophet Muhammad’s flag. He was a trusted friend too.

Let’s step back. The Eyyuhumahmet Cami stands in Istanbul’s Eyüp district. This is no ordinary mosque. It’s a külliye. That means it is a complex. It includes a mausoleum. This mausoleum honors Abu Ayyub al-Ansari.

Now, picture this. Abu Ayyub al-Ansari died during the first Arab siege of Constantinople in the 670s. His burial here made this place sacred. The Eyyuhumahmet Cami we see today has evolved over centuries. The original mosque complex appeared in 1458. Sultan Mehmed II ordered its construction. That was just five years after conquering Constantinople.

Do you know why Mehmed II built it? His teacher Akşemseddin had a dream. The dream spoke of a mosque at al-Ayyub al-Ansari’s burial place. When the tomb was found, construction began.

Centuries passed. Sultan Ahmed III rebuilt the minarets in the 18th century. By the late 1700s, the mosque was falling apart. Earthquakes may have been the culprit. Sultan Selim III stepped in. He ordered a rebuild in 1798. Only the minarets were spared. The work finished in 1800. Mahmud II rebuilt the eastern minaret in 1822. He kept the original style.

Why is the Eyyuhumahmet Cami so important to Muslims? Abu Ayyub al-Ansari was Muhammad’s companion. His tomb is greatly venerated. The mausoleum sits on the courtyard’s north side. It faces the mosque’s prayer hall entrance. The mosque also holds relics. These relics are believed to have belonged to Muhammad.

Ottoman officials and royal family members wanted to be buried near the Eyyuhumahmet Cami. Sokollu Mehmet Paşa rests here. He served as a vizier under Süleyman the Magnificent and Selim II. Siyavuş Paşa is also buried here. So is Lala Mustafa Paşa. He conquered Cyprus for the Ottomans. Their tombs are near the mosque. Adile Sultan and Mihrişah Valide Sultan are here too. They were royal women. They rest in grand complexes along the Accession Road. Sultan Mehmed V’s tomb overlooks the water. Mimar Kemaleddin Bey designed it in 1918.

Behind the Eyyuhumahmet Cami, Eyüp Cemetery climbs the hill. Gravestones fill every space. People wanted to be close to the mosque in death.

Today, boys about to be circumcised visit the Eyyuhumahmet Cami. They wear special outfits. Mass circumcision events take place here for boys from poor families. These resumed in 2022 after a break because of Covid-19. During Ramadan, people gather here to break their fast. They picnic in the mosque’s courtyard. Pilgrims visit the Eyyuhumahmet Cami all year round. They come from across Turkey.

The Eyyuhumahmet Cami’s architecture reflects the Classical Ottoman style. Mimar Sinan popularized this style in the 16th century. People compare it to Sinan’s Sokollu Mehmed Pasha Mosque. It uses an “octagonal baldaquin” design. This means a central dome surrounded by semi-domes. Much of the decoration is Ottoman Baroque. Look for carved leaves and shell shapes. Spot Ottoman calligraphy too. The building mainly uses white stone. Some columns feature white marble with brass. Some decoration is gilded. The mosque has two minarets. They were built in an earlier style.

Consider the courtyards. A large outer courtyard leads to an inner one. The sultan once used an elevated corridor. It led to his private balcony. This balcony overlooked the prayer hall. The şadırvan or ablutions fountain is in the courtyard. An old plane tree stands in the inner courtyard. Ottoman sultans were once girded with the Sword of Osman here.

The Eyyuhumahmet Cami’s mausoleum is attached to the inner courtyard. Inside, you will find a vestibule. It leads to the tomb chamber. The chamber has an octagonal shape and a dome. A Baroque silver screen encloses the sarcophagus. It is adorned with calligraphy and lamps. The mausoleum’s wall features Iznik tiles. These tiles date from different periods. They were brought together during the mosque’s rebuild in the late 1700s.

Remember the Eyyuhumahmet Cami. It is more than a building. It’s a testament to faith, history, and art.

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