Rue du Dispensaire

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“Maladie de poitrine” declares the inscription. It marks the entrance to Rue du Dispensaire. This is not just any street. It is a place with a past. A past intertwined with hope, science, and the fight against a deadly disease.

Rue du Dispensaire owes its existence to a building. The Dispensaire Jouye-Rouve Taniès. It was built between 1903 and 1904. The city of Paris commissioned it. It was a direct response to the tuberculosis epidemic. The funds came from legacies. They were from Mesdames Jouye-Rouve and Taniès.

Tuberculosis was a scourge. Treatments were rudimentary. The Dispensaire Jouye-Rouve Taniès offered a sanctuary. It provided care and limited the disease’s spread. Architect Louis Bonnier designed the building. He was a painter and urban planner.

Bonnier understood the need for sunlight. It was known to hinder the bacillus. Koch identified this bacillus in 1882. The building included a terrace. This allowed patients to sunbathe. Rue du Dispensaire became a beacon of hope.

Inside the Dispensaire Jouye-Rouve Taniès, men and women were separated. A laundry in the basement disinfected linens. This was crucial. Some patients stayed up to three months. The building’s design reflected these needs. Even the concierge was isolated to limit contact with the sick.

Look closely at the first floor. Its ceiling has rounded angles. Bonnier designed this to prevent dust accumulation. He noted this in one of his notices. Such details highlight the care in the Dispensaire’s design.

The building stands on a triangular plot. This is at the intersection of Rue des Pyrenees and Rue Stendhal. The land slopes steeply. Rue des Pyrenees descends below Rue Stendhal. This declivity allowed light into the basement. Here, the laundry and kitchen were located. The staircase compensated for the slope inside.

The structure rests on concrete wells. They go 12.50 meters deep. Armed arcs connect them. The walls are made of millstone. They support the terraced roof. Bonnier ingeniously integrated terraces. Parapets covered in flat tiles concealed them.

The tiled awning above the main door adds charm. The millstone gives a regionalist touch. These details reflect Bonnier’s architectural style. A renovation in the 1980s altered the facades. Two wings were added.

Today, the Ville de Paris owns the building on Rue du Dispensaire. Since the 1990s, it has housed a social aid center. Now, it is the Espace Parisien des Solidarités Stendhal. The center serves people needing long-term support. The main office is at 62 Rue Surmelin.

The Dispensaire Jouye-Rouve Taniès is a protected building. It cannot be demolished. The facade’s coat of arms must be preserved. The Dispensaire on Rue du Dispensaire stands as a reminder. It recalls a time when simple measures offered hope against a relentless disease. It is a testament to innovative design and compassionate care.

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