Hidden in the heart of Colegiales, the San Pablo Apostol church whispers tales of resilience and transformation. The San Pablo Apostol wasn’t always at this location. Originally, in 1929, it stood on Céspedes Street, a humble structure serving the Italian families of “La Calabria”. The area was so heavily populated by Southern Italians that a nearby street, Virrey Loreto, was even officially named “Calabria” for a time. The original San Pablo Apostol was a simple building, a world away from its current grand presence. Imagine a small rectangular structure tucked away at the end of a long path, its bell rope dangling near the sacristy door. Children played football in the open space while palm trees swayed gently. The San Pablo Apostol on Céspedes Street held a special place in the community’s heart. It wasn’t just a place of worship but a social hub. Think of Sunday afternoons with Father Rigoni, the church’s first priest, skillfully operating his small film projector. He brought laughter and joy to everyone with movie screenings in the wood-paneled hall, its zinc roof echoing with cheers. The hall wasn’t just for movies. It was a multi-purpose space for theater productions, religious gatherings, and even a makeshift sacristy. In the winter, the aroma of hot chocolate filled the air after the 8 o’clock mass, warming hearts in the chilly courtyard. This courtyard was also a gathering spot for summer meetings, a testament to the church’s central role in community life. The dream of a grander, more permanent home for the San Pablo Apostol finally took shape in the 1940s. The current location, at the corner of Álvarez Thomas and Palpa, was once a vacant lot, occasionally hosting a traveling circus or the Bonnano family’s wooden corral. By 1945, the San Pablo Apostol church had moved to its current, more fitting home. The new building, designed by architect Carlos C. Massa, embodies a blend of Romanesque and neocolonial styles, its imposing brick facade and rose window a stark contrast to its humble beginnings. A plaque near the entrance commemorates the generosity of Pablo Tavelli, whose donation made this transformation possible. Interestingly, it was common for benefactors to contribute to churches named after their patron saint, a possible explanation for Tavelli’s contribution. Inside, the San Pablo Apostol church is a testament to its history. The warm interior, meticulously crafted, features a mosaic of St. Paul, modeled after one in Rome’s Basilica di San Paolo fuori le Mura. The church’s stained-glass windows, depicting various saints and Marian advocations, bathe the space in a kaleidoscope of colors, a far cry from the simplicity of the original church. The San Pablo Apostol continues to serve its community, its story a powerful reminder of the enduring spirit of faith and the transformative power of community.
Convento Santa Teresa
Hidden behind a quiet Almagro street stands the Convento Santa Teresa a true hidden gem. This convent and its accompanying