Across the street from a basketball court, nestled amidst the urban landscape of Paris’s 14th arrondissement, stands Le Menhir. It’s a modern megalith, a gift from Brittany, the French region renowned for its ancient standing stones. Erected in 1983, Le Menhir is a surprisingly recent addition to Paris, a city more often associated with grand historical monuments than prehistoric echoes. This two-meter high, pink-grey granite stone isn’t a relic of the Neolithic era. It’s a contemporary creation, quarried and sculpted by seven Breton granite workers. Its smooth surface, marked by a touch of green lichen at its tapered top, contrasts sharply with the surrounding urban textures. At its base, a plaque, now almost illegible, details its dedication to the city of Paris. The inscription mentions the Chamber of Commerce and Industry of Morbihan and Alain Poher, President of the Senate in 1983. This modern menhir stands in a small grassy area, right outside 133 Rue Vercingetorix. The location itself evokes a sense of history. Rue Vercingetorix is named after the Gaulish chieftain who challenged Caesar’s legions. Nearby, a vibrant mural adorns a building’s gable end. It depicts Paleolithic-style cave paintings, showcasing mammoths, deer, horses, and even running humans. The mural and the street name create a palpable link to France’s distant past, layered beneath the contemporary city. Le Menhir, while modern, resonates with these echoes of prehistory. It’s a reminder of the human impulse to erect standing stones, symbols of power, victory, and extravagant gifts. Here, in this corner of Paris, the past whispers amidst the present, inviting us to consider the enduring human connection to ancient traditions.
Église Notre-Dame de l’Air
Beneath what appears to be a simple stone and wood structure lies a history interwoven with faith aviation and community.