“A theater named after a street?” you might wonder. That’s the story of the Théâtre du Vieux-Colombier right here in Paris. It all started in 1913. A visionary named Jacques Copeau dreamt of a theater that broke the mold, a stage for the people. He sought a space where creativity could flourish. He found it on the Rue du Vieux-Colombier, breathing life into a former Athenaeum. The Théâtre du Vieux-Colombier was born. Copeau chose the street’s name for his theater, ensuring even those unfamiliar with Parisian theater could find it easily. He even incorporated two doves into the theater’s emblem, inspired by a mosaic from Florence’s San Miniato al Monte Basilica. The Théâtre du Vieux-Colombier became a haven for innovation, a place where actors took center stage. The sets were minimalist, allowing the performances to shine. The Vieux-Colombier’s renown grew. It even embarked on a two-season journey to New York’s Garrick Theatre. In 1944, the theater etched its name in literary history. It hosted the world premiere of Jean-Paul Sartre’s existential masterpiece, “Huis Clos” (No Exit). Today, the legacy of the Théâtre du Vieux-Colombier lives on. It stands as a testament to the enduring power of theater and its ability to inspire, challenge, and captivate audiences across generations.
Église Notre-Dame de l’Air
Beneath what appears to be a simple stone and wood structure lies a history interwoven with faith aviation and community.