Could a church adorned with roses inspire a mosque’s name? Here at the Gonca Gül Camii, the story unfolds. Gonca Gül Camii translates to “Rose Mosque.” Its origins lie in the Byzantine era. Before becoming the Gonca Gül Camii, it was a church. Its dedication remains uncertain, possibly to Saint Theodosia or the monastery of Christ the Benefactor. One theory suggests the church’s rose-filled beauty on the day of Constantinople’s conquest led to its current name. The Ottomans, struck by the sight, dubbed it the “Rose Mosque.” Another tale links the name to Gül Baba, a local holy man buried here. Originally a 10th-11th century church, its architectural features hint at its past. Seven-sided and three-sided apses project from the southeastern facade. Inside, a triple arcade leads into the nave, flanked by galleries. Five domes rise above, one central and four smaller at the corners. Whispers of the Byzantine emperors, crusaders, and Ottoman sultans echo within these walls. Earthquakes and fires have scarred Gonca Gül Camii over the centuries. Yet, it stands as a testament to its enduring spirit, a blend of Byzantine and Ottoman influences. The roses may be gone, but their essence lingers in the name and the captivating story of Gonca Gül Camii.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to