Slithering out from the depths of Aztec mythology, the La Vibora Sculpture greets you. It sits on the corner of Pino Suárez and República del Salvador streets in Mexico City. This stone serpent marks the entrance to the Museo de la Ciudad de México (City Museum). The La Vibora Sculpture isn’t just a decorative piece. It’s a cornerstone, a relic of a time long past. It may have once stood at the base of the Aztec Main Temple. Now, it welcomes visitors to a museum housed in a restored 18th-century Mexican baroque building. This building, once known as the Palacio de los Condes de Calimaya, stands on a site steeped in history. It’s close to the ceremonial center of the Aztecs. The mansion was originally built for Juan Gutiérrez Altamirano. He was one of Hernán Cortés’s key supporters and arrived in New Spain just six years after the Conquest. The La Vibora Sculpture itself is monumental, a testament to Aztec artistry. Similar sculptures, adorned with scales and sharp teeth, guarded the temples of the supreme Aztec deities at Tenochtitlan. These colossal serpents watched over the sacred pyramids, silent protectors of a vanished world. The La Vibora Sculpture serves as a powerful reminder of Mexico’s rich history. It is a tangible link to the Aztecs and their beliefs. As you stand before it, imagine the bustling city of Tenochtitlan. Picture the vibrant colors, the sounds of rituals, and the imposing presence of the Main Temple. The La Vibora Sculpture whispers stories of a civilization lost but not forgotten. Its presence here, at the entrance to the City Museum, invites you to delve deeper into Mexico City’s layered past.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to