Stepping through the grand gate of the Château du Clos de l’Olive, you’re transported back in time. This magnificent structure, a testament to centuries of rich history, stands gracefully before you. Built between 1780 and 1784 by Jean Simon Gallien, a goldsmith to the Queen, the château’s story weaves through various owners. An inscription on the building reminds us of Henri de l’Olive who, in 1429, paid homage for the estate to the Lord of Montmorency. During the revolution, the estate was named “Clos de l’Olive,” a beautiful echo of its past owner.
The château was later owned by the Davillier family, a prominent banking clan. In 1801, Jean-Charles Davillier was appointed regent of the Bank of France. His great-granddaughter, Madeleine Hartmann, married a Swiss banker, Frédéric Adolphe Marcuard. This new owner expanded the property. He even included the land where a certain Mme. d’Houdetot’s house used to stand, later demolished in 1867.
The château’s connection to the arts dates back to the 19th century when the renowned painter and press illustrator, Félix Jobbé-Duval, made the château’s orangery his studio. The property was passed down to Hélène Marcuard who, for her part, was renowned for marrying the writer Guy de Pourtalès.
Today, the château, restored by the city, stands proud as the Maison des Arts. This elegant structure has been home to the town’s music conservatory since 1975. You can still see the old barn that stood within the estate. Dating back to the late 17th or early 18th century, it lies next to a beautiful orangery built in the 19th century. It’s clear that the Château du Clos de l’Olive has witnessed centuries of change and evolution. Each new owner has brought a unique touch to the story of this magnificent building.