Hidden in the suburbs of Lübeck stands a testament to the city’s industrial past, the St.-Johannis-Kirche. Unlike the grand medieval churches in Lübeck’s heart, St.-Johannis-Kirche has a more rugged, almost defiant air. Built in 1910, the St.-Johannis-Kirche served the burgeoning community of Kücknitz, a town fueled by the nearby blast furnaces of the Herrenwyk ironworks. Architect Carl Mülhenpfordt designed the church in the Heimatschutzarchitektur style, a style popular at the time that emphasized traditional, regional elements. Imagine the clang of hammers and the roar of furnaces echoing around the newly built St.-Johannis-Kirche as workers sought solace within its walls. The church’s imposing tower, a beacon visible from afar, reflects the resilience and strength of the community it served. Inside, the St.-Johannis-Kirche boasts a fascinating blend of old and new. A medieval crucifix, originally from St. Jakobi Church, once graced the altar. Later, in 1984, a striking iron sculpture of a smelter, affectionately nicknamed “Der heilige Eisenius,” found its home within the church. This sculpture poignantly captures the spirit of the industrial community that built and cherished the St.-Johannis-Kirche. The church’s history is inseparable from the fortunes of the ironworks and their workers. As the ironworks declined, so too did the community. Yet, the St.-Johannis-Kirche stands as a reminder of their enduring spirit and the indelible mark they left on Lübeck’s history.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to