In 1925, a literary quote breathed new life into this unassuming building on Boulevard de Clichy. The Théâtre de Dix Heures was born, taking its name from Georges Courteline’s novel, “Les Linottes.” Courteline’s character envisioned a theater for lighthearted plays, perfect for the evening hours. The Théâtre de Dix Heures embraced this spirit, becoming a haven for laughter and entertainment. The Théâtre de Dix Heures opened its doors in 1890, originally known as the Cabaret des Arts. Over the years, it has worn several names: La Lune Rousse, La Chaumière. Yet, its dedication to performance remained constant. From chansonniers satirizing prominent figures to emerging artists finding their voice, the Théâtre de Dix Heures has witnessed a diverse range of talent. Think of figures like Jean Rigaux, Noël-Noël, and Lys Gauty gracing its stage. Later, the likes of Robert Lamoureux, Jacques Mailhot, and Thierry Le Luron would also perform here. In 1985, Michel Galabru, recognizing its potential, purchased the Théâtre de Dix Heures. He envisioned it as a springboard for aspiring playwrights and actors. This vision flourished under the patronage of Muriel Robin in 1990. The Théâtre de Dix Heures then became a launching pad for several renowned comedians. Élie and Dieudonné, Patrick Bosso, and Franck Dubosc all honed their craft within these walls. The Jamel Comedy Club also found a home here. Even today, the Théâtre de Dix Heures continues this tradition of nurturing talent while embracing its comedic identity. The venue has a 140-seat capacity, offering an intimate setting for both performers and audience members. It has been renovated to provide modern amenities while preserving its unique character. The Théâtre de Dix Heures is more than just a theater. It is a testament to the enduring power of laughter, a place where stories come to life and dreams take flight.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to