Sculpted in bronze, the Mutter und Kind (Mother and Child) embodies a timeless connection. Here, at St. Anne’s Museum Quarter in Lübeck, Ursula Hanke-Förster’s 1966 creation finds its home. The Mutter und Kind isn’t merely a statue. It’s a poignant representation of the bond between mother and child, a universal theme that transcends time and culture. St. Anne’s Museum Quarter itself, a former Augustinian nunnery, adds another layer to this narrative. Established as St. Anne’s Priory between 1502 and 1515, it later housed a museum and art exhibition hall. The museum’s collection boasts Germany’s largest collection of medieval sculptures and altarpieces. Works by renowned artists such as Hans Memling, Bernt Notke, Hermen Rode, Jacob van Utrecht, and Benedikt Dreyer are displayed here. The Mutter und Kind sculpture, positioned within this historical and artistic context, invites reflection on the enduring power of human connection amidst the backdrop of changing times. The museum, part of Lübeck’s World Heritage site, has seen numerous transformations throughout history. From a nunnery to a poorhouse, even a prison, St. Anne’s has borne witness to the ebb and flow of life in Lübeck. The Mutter und Kind, within these walls, stands as a quiet observer, a symbol of the enduring strength and beauty of the maternal bond. As you gaze upon the Mutter und Kind, consider the stories whispered within these walls. Reflect on the generations who have walked these grounds, each with their own unique experiences and connections. The Mutter und Kind serves as a timeless reminder of the human experience, a testament to the power of love and connection that binds us together across time.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to