Six volumes meet at unequal angles. That’s the striking feature of the Energía Sculpture. This sculpture stands as one of Mathias Goeritz’s most impressive public artworks.
Welcome to the Energía Sculpture. It is a key piece that links Goeritz’s earlier works. These include the Torres de Satélite completed in 1957. It also connects to his Museo Experimental el Eco from 1953. The Energía Sculpture from 1982 seems to answer lingering questions about the artist’s vision.
The title “Energía” suggests a dialogue. It perhaps responds to Diego Rivera’s work on “water” at the Cárcamo. Goeritz created this sculpture later in life. He likely saw a reflection of Rivera’s late maturity. This is especially relevant as his own career blossomed.
Note the nearby monument. It is the Hemiciclo al Defensor de la Patria. This monument was dedicated in 2017.
Energía tower reaches 18 meters high. At its peak, six volumes intersect. They join at various angles. The sculpture underwent restoration in 2017. This marked the centenary of Goeritz’s birth. The work had suffered neglect. The restoration enhanced the sculpture’s presentation. It also improved the surrounding landscape.
Mathias Goeritz had long worked with towers. His most famous were completed in 1957. This tower overlooks traffic near the park’s edge. The best approach is from the Chivatito entrance to Chapultepec.
The Energía Sculpture stands as a testament to Goeritz’s career. It links his past with his present. Its restoration ensures it remains a striking landmark. It invites reflection on energy, art, and legacy.