Did the bells of St. Luke’s Kentish Town ever ring out a theosophy lecture? They almost did. In 1892, a planned lecture by Annie Besant on theosophy caused such a stir among parishioners that the church had to cancel it. This incident highlights the fascinating history of St. Luke’s Kentish Town, a church whose story is woven into the fabric of Victorian London and beyond. St. Luke’s stands on Oseney Crescent, its red brick and stone a testament to its 19th-century origins. Built between 1867 and 1869, St. Luke’s Kentish Town wasn’t simply erected. It was resurrected. The original St. Luke’s stood near King’s Cross, but the arrival of St. Pancras Station necessitated its demolition. The Midland Railway Company paid £12,500 in compensation, which funded the new church in Kentish Town. Interestingly, the architect of the original church, John Johnson, was passed over for the design of the new St. Luke’s. The commission went to the young Basil Champneys, son of the vicar of St. Pancras. This was Champneys’ first major project. His design, a blend of Early English and North German styles, raised eyebrows at the time but is now recognized as a unique example of Victorian Gothic architecture. Inside, the brick walls and tiled floors of St. Luke’s Kentish Town create a sense of simple grandeur. Look up to see the vaulted chancel ceiling. Note the surviving stained glass, some by Heaton, Butler, and Bayne, depicting the twelve apostles. Other windows are by Morris & Co., two based on designs by Edward Burne-Jones and two by John Henry Dearle. And the organ? That’s a Father Willis, installed in 1893, a prized possession of St. Luke’s Kentish Town. The church has seen its share of changes. It was linked with St. Paul’s Camden Square for a time, even receiving a brass eagle lectern from St. Paul’s after the Second World War. St. Luke’s itself closed in 1991, before being reopened as a church plant by Holy Trinity Brompton in 2011. From controversies over theosophy lectures to its role in the community, St. Luke’s Kentish Town continues to be a vibrant part of London’s spiritual landscape. Its story, etched in brick and glass, is a reminder of the enduring power of faith and community.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to