Nestled between Vişnezade Tekke Sokak and Vişnezade İnönü Sokak, the Vişnezade Cami stands as a testament to a bygone era. This mosque, built in 1664, isn’t just a place of worship. It’s a story etched in stone and wood. It whispers tales of Kazasker Vişnezade Mehmet İzzet Efendi, the grandson of Şeyhülislam Zekeriya Efendi and son of Vişnezade Letfullah Efendi, who commissioned its construction. Imagine stepping back in time to the 17th century. The Vişnezade Cami, with its rectangular layout and sturdy masonry walls, rises before you. A wooden roof, topped with red tiles, shelters the faithful. A single minaret reaches towards the sky. The mosque covers 724 square meters, with a prayer hall of 170 square meters. The Vişnezade Cami has evolved over time. A later addition, the son cemaat yeri, welcomes worshippers from the north courtyard. Two wooden doors, framed by a rectangular window, lead into this space. Inside, a simple chandelier illuminates the wooden ceiling. Cream-colored walls create a serene atmosphere. Ten rectangular windows, fitted with wooden frames and iron bars, allow light to filter in. A small, wooden imam’s room is tucked away in the left corner. From the son cemaat yeri, a door on the west wall grants access to the minaret. Another door on the south wall leads to the women’s gallery on the upper floor. Two wooden doors open into the main prayer hall, the harim. Inside, a coffered wooden ceiling and cream-colored walls create a tranquil space. Seventeen windows, some rectangular and some square, fill the room with light, enhancing the sense of spaciousness. The mihrab, adorned with Kütahya tiles, directs prayers towards Mecca. A simple, wooden minber and vaaz kürsüsü stand ready for sermons. The floor is covered with a carpet of deep, rich colors. Two wooden, barred muezzinlik flank the entrance to the harim. A door on the west wall of the son cemaat yeri connects to the women’s gallery above, also with a wooden ceiling and a railing overlooking the prayer hall. The Vişnezade Cami has seen its share of changes. The minber, vaaz kürsüsü, coffered ceiling, maksures, muezzin mahfili, women’s gallery, the floor and roof of the son cemaat yeri, are all crafted from wood. The tiled roof features two tiers. A single, stone minaret, square at the base and cylindrical above, stands proudly beside the mosque, its şerefe adorned with intricate reliefs. The Vişnezade Cami has endured much over the centuries. Numerous restorations have preserved its legacy. In 1995, a fire, sparked by faulty electrical wiring, ravaged the structure, leaving only four walls standing. But from the ashes, it rose again. Thanks to Sait Akbayrak, the mosque was meticulously restored to its former glory and reopened for worship in 1997. Today, the Vişnezade Cami continues to serve its community, its story interwoven with the fabric of Istanbul.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to